How to Drawing Graphite Portrait From Foto - drawing woman

Today we learn how to drawing from photos. From your photographs. This is a portrait drawing by pencil, and we'll show it stage by stage - materials we take easier and we stretch employment on a part to capture each aspect of graphite portraits drawing. Well, you need a pencil, a paper and more or little time. We will drawing portrait of a woman. Let's begin.

Example of drawing is in the left side. It looks like very beautiful!

1. We draw a pencil a linear contour (free, by hand). Superfluous lines erase.

 2. Take mechanical graphite pencil 3В 0.5 and start to impose strokes in places of blackout of hair and follow the main directions.

3.  The hair is no more difficult to draw than any other facial feature, although it can take considerable time to achieve a natural look. We continue to shade dark places. Watch closely their direction:  We learn to draw a graphite portrait. Thoughtfully and accurately, not to receive in drawing a sheaf of straw instead of hair. The first thing I do is shade in all the darkest tones drawing in the direction the hair lies. Closing the eyes slightly and squinting at your reference photo will help to define these areas.

4. At this stage all of us as impose strokes in a direction of growth of hair, coming back and blacking out sites. Simultaneously with it make lines longer. How dark you shade areas is obviously dependent on the colour of the hair.

5. Well, at this moment hand drawn portraits looks better). We continue work under hair style, again we black out sites of hair. At this stage of drawing of a portrait from photo it is necessary to avoid patches of light and to shade very accurately. Small council: it was more convenient to shade, it is possible to turn a paper

6. We finish work on a hairdress. Going back, - you must make black out layers of hair:

7. Now, by means of shading (dirty or pure - it it is unimportant) it is passable on a hairdress in a direction of growth of hair. The main thing not to suppose, that strokes were crossed, differently there will be ugly pollution. We smooth only in a direction!

8. We learn to draw a graphite portrait further. Now has come to work over patches of light. Sharp eraser you "extend" lines (not parallel) in places of patches of light that they have mixed up with strokes of a pencil and have clarified proper places.
So you need to open up the highlights again by dragging eraser from the light areas, into the dark

9. You come back and trace a pencil 3В (or is softer) dark sites. You need to add a straight hair to borders of curls, heads, persons. The person it is not touched yet. Shading separate filaments, applying different pressings, you gain effect of individual hair

10. Now you need to learn how to draw an portrait stage by stage:
Remember - draw what you can see, not what you think you can see.
When drawing the lashes below the eye, don't have them sprouting out of the eyeball. Note the lash line. And for a more natural effect, please try to avoid the spider's legs type lash but draw them in clumps.

11. Here's the result:

12. Now it is time to work at tones of a face skin. It looks like a terminator) Is it?)

13. And here's and of work:

You make a lot of work ... uff ... I wish you good luck in graphite portraits drawing.
This lesson also about pencil drawing from photo.

Original: http://www.risovat.ru

 Here's the video - it shows you stages of drawing of graphite portraits.

Pencil Drawing of Dingo (Dog)

Well - here's the question - how to draw a dog? At a today's lesson interesting employment is necessary to us: we will draw animals! Today lesson - pencil  drawing of a dog - dingo!

Before to start to draw a dog of a dingo, give something about it we learn. This animal with the large head developed by a thorax, a long hanging tail and powerful paws:

We draw to a dog of a dingo a muzzle and ears. There is enough large ears, by the way. We start to work with a tail and paws: we do them more strongly and more thickly:

We connect a contour of a part of drawing, we wipe additional lines and we start to work with details. We draw to a dog of an eye, a nose, fingers on paws:

We add a wool and organs of smell (also moustaches):

We black out drawing edges that the drawn dog of a dingo seemed volume. Both live. And present. It seems, it has turned out:

 source: http://www.risovat.ru

The dogs and cats always have the most curious expressions, especially when we are looking at them. Look at the face of a cat when she is sitting on your compound wall or on a garden chair made of stone. Here the subject matter provides us with a chance to exploit the beauty of pencil drawing. This is the scene where the sunlight is prone to generate extreme contrasts between the body of the pet, a dog or a cat. We can use this light factor as a good guide for our pencil drawing, too.

 Video - drawing a simple dogs from cartoon

Near - the video: Simple Drawing of a Dog - how to draw a dog. From this video you learn how to draw a cartoon dog using simple shapes in this step by step video guide. It seems to be funny and easy.

Pencil Drawing Of Cat

 The question is - how to draw a cat.
Learn drawing cat and dog.
Pencil drawing and lining of a cat

While starting with the pencil drawing you can consider drawing the things lying in your surrounding. The pets, living with us, like cats and dogs are the first preference of most of the artists. It is because we love to see these pets, painted and drawn. So for the beginners, the pets are easy subjects to draw.

Here in this pencil drawing the artist has shown the example of pencil lining. The use of technique of lining is used in such a way that it has worked like shading. The eyes of cat define the whole mood of the portrait.

However for the beginners, the choice of the objects to draw hardly matters. We can choose anything lying in our immediate surrounding: it can be your table; it can be books lying on table or your table clock. If you want to go into details of the drawing the objects like your wet towel put on back of the chair or the hanging pyjama would be good subjects to draw.

Anything you like, anything you feel inspired from can ignite the artistic flame hidden inside of you.
Drawing Tips: Before starting to draw, make it sure about the size of the object and how far it is lying from you, near to you or at a distance.

Here's the video how to draw a cat - a simple drawing, and it is funny cat)



If you want to learn how to draw a dog, follow this article:

http://pencildrawtoyou.blogspot.com/2010/01/pencil-drawing-of-dog-dingo.html

source: http://color-pencil-drawing.blogspot.com 

Tips on Pencil Portrait Drawing - The Nose

The nose is crucial in relation to the overall scale of all other facial features of your pencil portrait subject. An incorrectly drawn nose will very much affect the likeness of your subject. The nose is also a study in shading and blending.
Here are some issues you should keep in mind when drawing a nose:
* Shape
When drawing a nose, you should be thinking of spheres and cylinders. The shading and blending is very much related to that of a sphere and a cylinder. Be sure you first determine the location of the light source in your photograph. This is crucial to make everything look real and natural.
* Planes
A nose has many planes and protrusions which all have a certain angle with respect to each other. It is important to judge these angles correctly to obtain a good likeness. Also, squint your eyes to determine the type of shadow you are dealing with (hard edge, halftone, soft edge, highlight, or reflected light).
* Darkest Area
Invariably, the darkest area will be found inside each nostril. These areas are always cast shadows and therefore very dark. Remember that cast shadows become lighter as they approach the light source. Also, the edges of cast shadows are the sharpest near the object that throws the cast shadow. The edges get softer as they approach the light source.
* Reflected Light
Showing reflected light is very important to model three-dimensionality. It is usually found around the edges of the nostrils. In general, any surface that has a lip or a rim will show reflected light. Reflected light is also found where you have a shadow edge. A shadow edge is an area that is receding from the light source and usually turns into a cast shadow. In between this shadow edge and the cast shadow you will find a thin layer of reflected light.
* Blending
As always, blending should proceed from the darker areas towards the lighter areas and should be done parallel to the edges of the areas and always follow the natural flow of the subject. This will promote the illusion of depth and form and therefore realism.
* Size
Although everybody's nose is different, you should memorize the average size and placement of the nose, so you can always refer to this while you are drawing an actual nose.
The nose is measured from the bridge between the eyes to the bottom of the nostrils. This distance, on average, is equal to the distance from the bottom of the chin up to the bottom of the nostrils.
The bottom of the nostrils is, again on average, at the same height of the bottom of the earlobes. The space between the eyes is one eye-width and also gives you the distance between the outside edges of the nostrils. Of course, all these measurements are with reference to a frontal view.
* Flow
Remember that the nose is part of the face. In other words, the edges should be flowing into the face and not separate the nose from the rest of the face. So the edges should blend into the surrounding cheek areas.
In conclusion, it should be said that the nose is very important to the likeness of your subject. Pay close attention to the deviations from the standard measurements and location because these are important elements in what makes a good likeness. The above guidelines together with practice will make you an expert nose drawer.

Remi Engels is a pencil portrait artist and oil painter and expert teacher. Check out his Pencil Portrait Course and his Portrait Print Package Special

Article Source: http://EzineArticles.com/?expert=Remi_Engels 

 

Tip on Pencil Portrait Drawing - Six Elements of Portrait Drawing

Drawing in general entails four distinct elements: line, value, texture, and form. In the special case of pencil portrait drawing we can refine the list of elements to six: form, proportion, anatomy, texture, value, and planes.
In this article we will give a detailed description of each of those pencil portrait drawing elements.
(1) Form or Shape - The illusion of three-dimensionality in drawing and art in general has been central to Western art for centuries. The carving out of form using line, structure, and value was a vital component of almost all Renaissance art.
On the other hand, oriental and lots of contemporary art emphasize flatness of form although this period in contemporary art is drawing to a close.
All form in drawing can initially be reduced to 4 basic 3-dimensional solids: bricks, cones, cylinders, and spheres. The proper use of these forms together with perspective and value leads to the illusion of 3-dimensionality even though the drawing is, in actuality, located on a 2-dimensional sheet of drawing paper.
In portrait drawing, the arabesque of the head, the square structure of the head, and all components within the head (nose, eyes, etc.) are all 2- and 3-dimensional forms that contribute to the overall illusion of 3-dimensionality
(2) Proportion - includes all sizing and placements of form. Proportion refers to the concept of relative length and angle size.
Proportion gives answers to these two questions:
1. Given a defined unit of length, how many units is a particular length?
2. How large is this particular angle? Answering these two questions consistently correctly will yield a drawing with the correct proportions and placements of all form.
(3) Anatomy - refers essentially to the underlying structures of bone and muscle of the head.
It is important to learn as much as you can about anatomy. There are many books available on anatomy for artists. For a portrait artist it is particularly important to understand the anatomy of the head, neck, and shoulders.
Anatomy studies unfortunately include a lot of Latin terms which makes it somewhat difficult to grasp. The idea is to study slowly and a little bit at a time because it can be quite frustrating.
(4) Texture - in portrait drawing expresses the range of roughness or smoothness of the forms. The rough texture of a concrete walk way, for example, is quite different from the smoothness of a window.
There exist several techniques and tricks to help you with the creation of the correct textures. Creating textures is an area in drawing that gives you the opportunity to be very creative and to use every possible type of mark you can make with a pencil. In portrait drawing textures occur in places such as hair, clothing, and skin.
(5) Value - refers to the variations in light or dark of the pencil marks and hatchings. Powerful portrait drawings employ the full palette of contrasting lights and darks. Beginning artists often fail to achieve this full "stretch" of value, resulting in timid, washed-out drawings.
(6) Planes - produce the sculptural sensibility of a portrait. The head has numerous planes each with a different direction and therefore with a different value.
The idea is to think of the surface of the head as a collection of discrete planes with a certain direction relative to the light source. You should try to identify each of the planes and draw its correct shape and value.
The correct handling of planes contributes very much to the likeness of your subject as well as the illusion of 3-dimensionality.

Remi Engels is a pencil portrait artist and oil painter and expert teacher. Check out his Pencil Portrait Course and his Portrait Print Package Special

Article Source: http://EzineArticles.com/?expert=Remi_Engels 

Tips on Pencil Portrait Drawing - Composition

Composition refers to the manner in which your subjects are positioned relative to each other on the page. More formally, it is the arrangement of forms and spaces within the format of the page.
* Balance
The main characteristic of a good composition is that it creates a feeling of balance in the viewer's mind. This balance should be present on at least two levels:
First, there is the balance of position. This means that the forms and spaces out of which the portrait is made up should be balanced relative to the vertical and the horizontal going through the center of the page.
Second, there should also be a balance with respect to value. The darks and lights should balance each other out in an overall sense. In other words, having too much black on one side or a complete lack of it is not the recommended course to take.
* Experiment
Having said that, do not be afraid to experiment with the distribution of forms, spaces, and values. Sometimes an unexpected deviation from the perfect balance gives excitement and interest to a drawing.
Follow your artistic sensibility. With practice, this sensibility can be developed and soon you will acquire a natural sense for good composition and how and where to surprise the viewer.
* Shapes
When considering the composition of your drawing you should think in terms of four major shapes: the triangle, the circle, the rectangle, and the square. Any of those shapes can be the point of interest of your portrait.
All other shapes should be arranged in support of that point of interest. Essentially, this means that the viewer should be led or guided towards the intended focal point of the drawing.
* Focal Point
One common compositional mistake occurs when the subject matter outside of the focal point is arranged in such a manner that the viewer is led in a direction away from the center of interest. In other words, the viewer is discouraged from looking at the area the artist thought was the most interesting.
In this regard we should remember that in the West, the viewer's eye tends to enter a drawing or a painting from the left (just as we do when we read from left to right). Therefore, a good composition often has an entry point on the left of the drawing and from there leads the viewer's eye to the focal point.
* Detail
The focal point should also be the area where you add the most detail to your portrait drawing. Areas deemed less important can be less developed and left to be finished by the viewer's imagination.
Don't forget, a portrait drawing should not be a copy of the photograph. Ideally, the personality of both the subject and the artist should be reflected in the end product.
* Check Balance
Another way of assessing whether or not you have a good composition is to cover up one shape or another and see if it improves the balance or not. A good composition is such that if you remove one shape, the whole drawing is clearly thrown out of balance. If you feel that by removing a certain part of your drawing the balance improves, by all means, leave that part out.
Much more can be said about composition. Entire volumes have been written about compositional rules and processes. However, developing the idea of balance on the levels of position and value will give you a very good start.

Remi Engels is a pencil portrait artist and oil painter and expert teacher. Check out his Pencil Portrait Course and his Portrait Print Package Special

Article Source: http://EzineArticles.com/?expert=Remi_Engels 

 

Pencil Drawing - Transform Yourself From an Amateur Into an Expert

Paintings are often accredited to be great pieces of art, but it is not necessary to use colors to add to the glamour of a painting. It is also possible to make a wonderful piece of art, using nothing more than the pencil and a paper. Pencil drawing has always remained the basics of all types of painting that is done by artists across the world. By visiting the nearest art museum in your place, you will find that a large number of paintings are nothing but simple pencil drawings, but have an overwhelming effect on the viewers.
Pencil Drawing: An economical hobby, part time as well as full time job
Pencil drawing is the most economical hobby that you can have if you are interested in drawing. You don't have to invest in any set of brushes or colors to follow your hobby. You just need to invest in some drawing paper, and a good quality pencil, which you think would be useful in pencil drawing.
You don't need to be an expert just learn how to hold a pencil.
There are many people who think that they cannot draw well or more precisely or would never be able to learn. However, people can always try their hand at pencil drawing. You do not have to be an expert to follow this basic art form of drawing. All you need to know is how to hold a pencil, and how to vary your pressure on it, to make different marks on the paper.
Practice a lot
With a little dedication and lots of practice, a novice at pencil drawing, would have a chance to become an expert in it. All you need to have is a keen power of observation, and the ability to successfully convert your ideas and observation onto paper. I have found that many people after few months of practice were churning out beauties, when it comes to pencil drawing.
Work hard
There are a lot of people, whom I have found to come up with great pieces of work, though they were no experts at pencil drawing. You should clearly understand one thing in your mind when you put your hand to a pencil drawing. No great artists could come up with great pieces of art just like that. They had to work really hard towards it; this is why it is suggested that in case you do not know how to handle pencil drawing, just try to work hard, soon you will be drawing like an expert. There is no short success to success, and by devoting a little more of your spare time, towards pencil drawing, you will be able to ensure that you are in no way inferior to others.
I have tried my hands at several types of painting methods in my experience as an artist, and have found that pencil drawing, is the best way to get started with drawing. As you develop, you will be able to graduate to other painting styles, to ensure that you learn more than the basic steps involved.

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